[clausula.meta .x] I.

 

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CENTRAL QUESTIONS

 

The residency may support inquiry into questions such as:

 

– Through which operations does a project become legible as music theatre?

– How do sound, body, text, movement, image, objects, space, and technology acquire dramaturgical relations?

– How do infrastructures and production conditions shape artistic possibility, collaboration, and spectatorship?

– Which forms of labor and knowledge remain unacknowledged within interdisciplinary production?

– How are composition, performance, direction, dramaturgy, and design distinguished, combined, or hierarchized?

– What happens when materials, technologies, performers, or audiences resist an established framework?

– How can collaboration redistribute agency without concealing responsibility, asymmetry, or disagreement?

– How do notation, rehearsal, staging, mediation, and production distribute visibility and authority?

– What ethical responsibilities accompany the organization of bodies, attention, participation, and technical systems?

– What might a formally rigorous, materially situated, and critically self-reflexive music theatre require?

 

These questions are indicative rather than mandatory. Participants should formulate project-specific questions with artistic, conceptual, dramaturgical, technical, and methodological precision.